Sneak peek of one of the looks for my Spring/Summer 2015 collection “Lost Girls” to be shown at Holy Apostles Ballroom in NYC on September 13th.

Kristin rules in so many ways. I encourage you all to check her out.

Over the past year I’ve been working on constructing a nonlinear, nonverbal, geometric language. Part of what I think causes so much turmoil in the world is our inability to look outside our personal reality tunnel, combined with each of us having unique, culturally defined, internal dictionaries that only the individual has true access to. Misunderstanding is the natural outcome.

I don’t intend to solve communication problems. All I wanted was a look inside the architecture of linguistic intent and the best way to do that for me was to invent a language. This is one view of one of the ‘letters’.

Double terminated quartz I found here in Pennsylvania last fall.

Where my home is located once stood a medium sized apple and peach orchard. Some of the trees are still here, but most of them were pushing 80 years old and have since died off. There’s two apple trees remaining, neither of which have had viable fruit in about 20 years, until this year.

I took on the voluntary responsibility of nurturing this land about 5 years ago and have gone through more transformation in that time than all of the 25 years before it. I’m healthier in mind and body, the land is healthier in mind and body, and it’s one of the few things that never feels like a burden or frustration.

Thanks for reading and following.

I went garbage picking and scored. This is only half of the supplies I’ve discovered today!


Never really drawn people thought I’d give it a shot.

Audrey Horne from twin peaks.

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19 years ago my family moved to a piece of land that was being lived on by people who treated it like a garbage dump. There were spots scattered about that were so polluted that no plants would even grow. It’s been almost 2 decades but it’s just getting to the point where the plants are thriving. I still walk the trails every morning and find at least a few pieces of plastic, glass, and metal, but I remind myself to be thankful every day that I’m privileged enough to live in what I now consider to be a beautiful place.

- Amethyst -

Watercolor on paper.

- The Demiurge - (triptych) I: Arche, II: Logos, III: Harmonia

Panel ‘I’ is comprised of 108 black, silver, and copper wires and woven together according to the same geometric principles as the other two panels. The piece in full is intended to represent a progression from formless potential to final concrescence.